The Queen of America Goes to Washington City: Essays on Sex and Citizenship (Series Q)

It needs to be acknowledged that this underrated book will not please the reader who has done no serious engagement with the scholarship on a) popular culture, or b) sexuality and gender. It is evocative and deeply insightful, but precisely because it is methodologically sound it is not really as accessible to the casual reader as popular "non-fiction". I hope this - rather than knee-jerk cultural conservatism - accounts for the negative reviews on the site.As an investigation of the complex dynamics of culture and citizenship, this is might be the best going. Even as a non-American, and noting the "dated" nature of the sources, I still gained many insights into contemporary nationalism from this book. It's also very funny in parts.Other reviews have gone into more detail about how useful the book is. I'll just say that if you compare the arguments of the negative reviews against the arguments of the positive reviews, it will be clear to you that this book generates a polarised response of extreme satisfaction or dissatisfaction, and you should be able to work out which camp you fall in. I bought it second-hand, but would have felt that it was a bargain at the new cost. A tremendous piece of scholarship.

Brilliant insights make it well worth the effort of tackling the unpatronizing language of this groundbreaking work. Open a new window on our society and mores through an innovative look at our culture.

I am very happy with the book and the service and the seller. thanks.

If you want a better critique of the kind of anxiety this book can inspire in its critics, then read the book itself which of course fully anticipates and explains overly negative panic responses to its arguments and its extensive archive.Not only is Berlant's Queen stuffed full of evidence, it considers the question of evidence at great length; indeed, EVIDENCE is one of the most important topics this brilliant book carefully considers. Additionally, the included gallery of images, like the photograph mentioned in the review below, provide a rich graphic museum of evidence of the type Berlant considers closely throughout this book. Have you ever read a closer, more evidentiary, or more thorough reading of The Simpsons in relation to what it means to be "an American" than this book provides? Or what of the numerous, numerous, fascinating moments from every American citizen's life that serve as evidence here? The close readings of American literature? The salient keen interpretations of the speech of politicians, news articles, television images and more? If this book lacks evidence, then cats lack fur and whiskers.The negative reviews I've read here of Queen accuse the book of many flaws (including no evidence) and yet, ironically, offer absolutely ZERO evidence from Berlant's writing to back up their baseless criticisms which exemplify most of all a profound failure of intellectual engagement. Beyond this, I would suggest that when allowing one's own artwork to appear in a publication, one should try to understand the CONTEXT in which one's image will appear. The image in question, rather than appearing "out of context," is given a deep and fascinating context provided by Berlant's analysis. But you have to read the book to understand that context. Duh.Finally, as to Berlant's style of writing, there is no contemporary author I have read who can take such complex ideas and then translate them into effective, meaningful problems familiar to us all in such direct, intelligent, thoughtful words. If you've ever had a thought that you felt was too complicated to write out in a clear fashion, read this book as much for its argument as for its example of courageous, articulate, living prose. You'll be inspired to write your thoughts too.In the present politically disastrous, difficult moment in this country, when clear-thinking people fill their heads with fantasies of how to leave rather than remain implicated daily in its murderous, imperialistic, cynical policies, this book reminds us all of the outright power of clear political and social thinking. If there is a way back to an America with which progressives might identify, or about which progressives might again feel some political optimism, then Berlant's work is the vehicle which can move us in a hopeful direction: a direction that requires us to honor and use our intellects just at the moment when we are threatened by drowning inside a spiral of political depression created by a Conservative Ideology which hates individual thinkers just as much as it hates thought itself. I keep Berlant's work close at hand along with my passport, but if she's not willing to defect just yet than neither am I as long as I can be led in part by her thinking.

Lauren Berlant's book contains a series of essays concerning issues of sex and citizenship, though it may be a bit too much to hope that each section deals with both topics. The title itself refers to a cultural perception of innocence and how it relates to the seat of state power. Of course, power corrupts and innocence is tainted, disillusioned.As with most texts of this type, a careful reading of the introduction will acquaint the reader with the author's ideas and intentions. This is important, because it is likely that in readinging the essays that constitute the majority of the remainder of the book, it is entirely possible to lose track of these ideas. The reward-to-effort involved in reading these essays is minimal, and I felt ripped off. It is also important to check the footnotes: Berlant hides some useful information that adds light to her story (such as the fact that Newt Gingrich not-very-noisily encouraged Republicans to become less hostile to gays).In her essays, Berlant uses a wide variety of source documents -- her "archive" -- to provide the cues for her analysis. She picks and chooses context at will: The fact that The Simpsons' format requires all characters to forgo any growth is ignored (Lisa couldn't end an episode embittered against the structures of state power, even if it would be appropriate), but factors the creators have no control over (the local TV station places a military recruitment ad in a broadcast of a syndicated episode) are noted. The extreme selectivity of her sources, in my eyes, makes many of her conclusions suspect. In a few other cases, such as when she looks at the cover stories of several issues of TIME magazine to find messages about immigration and citizenship, her selections seem most appropriate.Each reader will probably have their own sense of how well Berlant chose her source material. Since "your mileage may vary," I will list several chapters along with the sources chosen.1 - "The Theory of Infantile Citizenship" - Audre Lorde's childhood trip to D.C., an episode of The Simpsons ("Mr. Lisa Goes to Washington"), the movie IN COUNTRY. Also, the movies MR. SMITH GOES TO WASHINGTON and THE LITTLEST REBEL provide further context for the critique of The Simpsons episode. Are sweet, innocent little children the ideal citizens? Even if they ask a presidential candidate what type of underwear he wears?2 - "Live Sex Acts" - This analysis over various censorship controversies looks at the pivotal figures in the debates from the late 80s and early 90s. Former NEA director John Frohmeyer's memoir LEAVING TOWN ALIVE; some NEA projects, like the zines LIVE SEX ACTS and QUEER CITY; anti-porn criticism from the likes of Andrea Dworkin and the Meese Commision; Tipper Gore's HOW TO RAISE PG KIDS IN AN X-RATED SOCIETY (and I was just beginning to like her again after the election) and a variety of images of Jerry Falwell. Gotta keep those little kids sweet and innocent.3 - "America, 'Fat,' and the Fetus" - If sweet, innocent little children are ideal citizens, what does that make fetuses? Berlant takes on the nations fetus fetish, and it isn't pretty. The archive includes the movies ONCE AROUND, LOOK WHO'S TALKING (and its first sequel) and INNERSPACE; pro-Life propaganda like THE SILENT SCREAM and THE ECLIPSE OF REASON; Raymond Carver's story "Fat"; two episodes of I LOVE LUCY concerning Lucy's pregnancy; LIFE magazine's famous pre-natal imagery; and, finally, videotapes of Berlant's nephew, covering his sonogram, birth, and first birthday.It kind of goes on like that, but further highlights include the return of The Simpsons when Queer Bart is taken up as a gay icon, pilgrimages to the capitol by slaves, fictitious and real, and a "gallery" of images related to the topics of the essays, including the, uh, bracing cover to Tom Ace's magazine. [....] I would not recommend Berlant's book to non-academic types. Trying to apply Berlant's reasoning to items other than her "archives" might be asking for trouble, and her prose is often tedious in its construction. Further, some of her archive material and topicality seems unfortunately dated. I've been told this is some of Berlant's most clear and incisive writing, which strikes me as kind of sad.