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Manuel Barrueco is internationally recognized as one of the most important guitarists of our time. His unique artistry has been continually described as that of a superb instrumentalist and a superior and elegant musician, possessing a seductive sound and uncommon lyrical gifts. His career has been dedicated to bringing the guitar to the main musical centers of the world. During three decades of concertizing, he has performed across the United Sates from the New World Symphony in Miami to the Seattle Symphony, and from the Hollywood Bowl with the Los Angeles Philharmonic to New York's Lincoln Center. He has appeared with such prestigious orchestras as the Philadelphia Orchestra and with the Boston Symphony under the direction of Seiji Ozawa, in the American Premiere of Toru's Takemitsu's To the Edge of Dream. In addition, he appears regularly with the Baltimore Symphony Orchestra and with San Francisco Performances. His international tours have taken him to some of the most important musical centers in the world. Highlights include the Royal Albert Hall in London, Musikverein in Vienna, Concertgebouw in Amsterdam, Philharmonie in Berlin, Teatro Real in Madrid, and Palau de la Musica in Barcelona. In Asia he has completed close to a dozen tours of Japan and made repeated appearances in Korea, Taiwan, Singapore, and Hong Kong. Barrueco's tours of Latin America have included performances in Mexico, Brazil, Colombia, Costa Rica, and Puerto Rico. He has also performed as a guest soloist with other international orchestras such as the Russian State Symphony, Helsinki Philharmonic, Royal Philharmonic, NHK Symphony, New Japan Philharmonic, Auckland Symphony in New Zealand, and the radio symphonies of Munich and Frankfurt. Barrueco's recording catalogue includes over a dozen recordings for the EMI label. His recording of Joaquín Rodrigo's Concierto de Aranjuez with conductor and tenor Plácido Domingo and the Philharmonia Orchestra was cited as the best recording of that piece in Classic CD Magazine, while ¡Cuba! Was called 'an extraordinary musical achievement' by the San Francisco Chronicle. Nylon & Steel, a collection of duos with guitar greats Al Di Meola, Steve Morse (Deep Purple), and Andy Summers (The Police), demonstrates Barrueco's outstanding versatility and imaginative programming. His latest release, Concierto Barroco, with the Orquesta Sinfónica de Galicia and conductor Víctor Pablo Pérez, received a Latin Grammy nomination for Best Classical Recording. This CD contains the world premiere recordings of new works for guitar and orchestra by Roberto Sierra and Arvo Pärt, as well as two guitar concertos by Antonio Vivaldi. Other recordings encompass many of the works from the Spanish and Latin American repertoire, as well as Bach and Mozart, Keith Jarrett and Chick Corea etcetera. He collaborated with soprano Barbara Hendricks and flutist Emmanuel Pahud in Cantos y Danzas, with The King's Singers on a Strauss album, and with the London Symphony on Manuel Barrueco plays Lennon & McCartney. His early recordings, available on VOX, have become a classic amongst guitar recordings. Barrueco's commitment to contemporary music and to the expansion of the guitar repertoire has led him to collaborations with many distinguished composers such as Steven Stucky, Michael Daugherty, Roberto Sierra, Arvo Pärt and Toru Takemitsu, whose last orchestral work Spectral Canticle was a double concerto written specifically for Manuel Barrueco and violinist Frank Peter Zimmerman. Manuel Barrueco has appeared on a wide array of American television programs including 'CBS Sunday Morning', A&E's 'Breakfast with the Arts', and 'Mister Rogers' Neighborhood' on PBS. His work in music also inspired Michael Lawrence's biographical documentary: "Manuel Barrueco: A Gift and a Life" which has been aired by PBS stations around the United States including WNET-TV in New York. He was also featured in a Lexus car commercial. Barrueco's performances have been broadcast by television stations around the world such as NHK in Japan, Bayerische Rundfunk in Germany, and RTVE in Spain. This coming season includes the world premiere of Roberto Sierra's Danzas Concertantes with the Orchestra of Castilla and Leon in Spain, and a new quintet by Gabriela Lena Frank, which Barrueco will tour with the Cuarteto Latinoamericano. Other scheduled performances include appearances with the National Orchestra of Spain, St. Paul Chamber Orchestra, New Jersey Symphony, and the Utah Symphony Orchestra, with recitals in Liechtenstein, Iceland, San Francisco and Seattle to name a few, and he will appear in the guitar festivals of Koblenz, Germany and Cordoba, Spain. Upcoming CD releases include two recordings featuring the music of Astor Piazzolla: Solo Piazzolla and Tango Sensations, the latter in collaboration with the Cuarteto Latinoamericano. These recordings will be released as part of the exclusive Manuel Barrueco Collection on the Tonar label, a company formed specifically to release his recordings. Manuel Barrueco began playing the guitar at the age of eight, and he attended the Esteban Salas Conservatory in his native Cuba. He immigrated with his family to the United States in 1967, as political refugees. Later, he completed his advanced studies at the Peabody Conservatory of Music, where he now shares his love for teaching with a small number of exceptionally gifted young guitarists from all over the world.
D**R
beautiful low-stress moods
Even if you're not a classical guitar fanatic (as I must confess to being), these selections make for amazingly beautiful, low-stress background atmosphere.fyi: Triston haunted me, like a good movie theme.Sublime !I can't imagine anyone interpreting and rendering them with greater grace than Manuel Barrueco.
T**L
Disk for sale - cheap!
Not for me. Well played but uninteresting and, I thought, I won't be playing this again. It was nothing compared to Tarrega's works. Barrueco is a superb guitarist he gave it all the music had which wasn't much.
T**Y
Technically superior
I personally listened to Manuel Barrueco playing life some years ago. I am very impressed with his guitar techniques - he is just as good as John Williams. I don't think I'll need to explain who Astor Piazzolla is?
C**S
Five Stars
Everything was perfect and on time
P**I
Five Stars
Muito bom!!
A**R
Channeling Piazzolla
I'm not a musician and don't have all of the technical knowledge and vocabulary to properly describe this wonderful recording. However, even as a non-musician, I believe I can tell that this recording is very special.Mr. Barrueco gets an astonishing variety of tones out of his guitar, loud and quiet, hard and soft, sharp and sustained, and whatever seems called for. In his hands, the guitar becomes an instrument that is as complex and expressive as any other instrument one can name. None of this is done for the sake of merely displaying virtuosity. It's all for the music. One really feels that Barrueco has gotten deep inside this music and is playing not only every note in the score, but every note exactly as it must have sounded in Piazzolla's head. He achieves this not just in one or a few of the tracks, but in every one.I don't know if the performer and composer ever met or if either ever heard the other play, but the music sounds as if it were being played under the personal direction of the composer. It is as if Barrueco is not just playing Piazzolla, but channeling him. I think there are many fine guitarists. There are many that I can listen to for hour after hour. Barrueco is right there in the first rank of these great players and he seems especially good in this recording and in his other recordings of Latin American music.And of course the music itself is wonderful. Piazzolla was a musician with a very unique and diverse talent. Each piece is recognizably by the same composer but is also quite different, interesting, and above all profoundly musical.I suppose I've gone over the top in this review. Perhaps it's because I'm listening to the music as I write and I've been carried away.I recommend it.
Z**I
Five Stars
SUPER
の**ち
ブラボー バルエコ !
ピアソラのタンゴを演奏者自身がギターに編曲したもの。バッハからポップスまで、やはり自身が編曲し、見事なテクニックで弾いたCDを数多く製作しているだけあって今回のピアソラ集も素晴らしい。こういうぎりぎりまで切り詰められた音楽に接すると安易なアンサンブルは慎まなければならないと反省させられる。最高傑作の「スペイン舞曲集」と比較してしまうと☆4。厳しいかな?
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