---
product_id: 54739104
title: "Inglourious Basterds"
price: "€ 19.96"
currency: EUR
in_stock: true
reviews_count: 10
url: https://www.desertcart.be/products/54739104-inglourious-basterds
store_origin: BE
region: Belgium
---

# Inglourious Basterds

**Price:** € 19.96
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- **What is this?** Inglourious Basterds
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## Description

Product Description Extras: Lunch with Goebbels – Extended Version (7 mins) La Louisiane Card Game – Extended Version (2 mins) Nation’s Pride Begins – Alternate Version (2 mins) Nation’s Pride – Full Feature (6 mins) Roundtable Discussion with Quentin Tarantino, Brad Pitt and Elvis Mitchell (31 mins) [HD] The Making of Nation’s Pride (4 mins) [HD] The Original Inglorious Bastards (8 mins) A Conversation with Rod Taylor (7 mins) [HD] Rod Taylor on Victoria Bitters (3 mins) [HD] Quentin Tarantino’s Camera Angel (3 mins) Hi Sallys (2 mins) Film Poster Gallery Tour with Elvis Mitchell (11 mins) Inglourious Basterds Poster Gallery (20+ stills) Trailers Teaser (1:43) [HD] Domestic Trailer (2:21) [HD] International Trailer (2:07) [HD] Japanese Trailer (1:15) [HD] desertcart.co.uk Review The first Quentin Tarantino film to be made and released in the high definition era, hopes were understandably high for the Blu-ray of Inglourious Basterds. Fortunately, the disc pretty much delivers what you’d want from it. The film pulls together an ensemble cast led by Brad Pitt, who heads up the Basterds of the film’s title. They’re a group of commandos working behind enemy lines, who look to strike the Nazis where it hurts. Yet the film works best when it focuses elsewhere, ironically, in particular on Christoph Waltz’s stunning depiction of Nazi officer Landa. He’s at the heart of the film’s finest moments, and is rightly attracting many awards for his performance. He’s the peak of a strong movie, and Inglourious Basterds ranks as one of Tarantino’s most downright enjoyable films to date.As for the Blu-ray? The transfer of the film is very sharp and very impressive, and rewards the high definition premium. As does the active and vibrant surround sound mix, which picks up both the subwoofer-engaging moments of mayhem along with the subtler moments with ease. It’s the finest way to watch Inglourious Basterds outside of a cinema. Now we just need Tarantino’s back catalogue to get the proper high definition upgrade treatment too… --Jon Foster Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale.Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colours and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds.Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson

Review: A Must Watch - Excelent Film .
Review: One of Tarantino's best films. - I always thought that Tarantino as a director was making quite violent films for my taste. I watched Kill Bill a few years ago, and i have to admit that i loved it, despite the fact that it involved a lot of violent scenes. When inglorious basterds first came out I didn't rush to the cinema until my dad who watched it described to me the first scene at the French village. His description was very good so i decided to watch it. Some of the scenes take your breath away, i love his directing style as he focuses on the characters' emotions, and then the next minute the most violent scene will follow. I never thought that Brad Pitt was a great actor, but in this film he was great. Tarantino's combination of slow almost pausing, moments in the film where the viewer focuses on the character and his/her drama and then immediately an almost frightening scene of extreme violence keeps you a bit on your toes. A lot of plot twists and of course (a film spoiler now) a fantastic imaginary scene of how we would all wish it had happened in the first place: Hitler killed by a Jew, instead of taking his own life. A very good scenario, with good actors and directing. The character of the German detective is so good that it makes you really scared of him. An evil, extremely clever person and an excellent actor Christoph Waltz at his best. His language excellency in french, german, english and italian in the film makes the rest of us green from envy. Not to mention his acting talent. If i was in the academy, i would definitely consider him as an oscar winner. Even if you are not a Tarantino fan, give this film a chance. It is not the best film in the world ever, but it would be in the top 100 I am sure :-)

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B002MZZMRM |
| Actors  | Brad Pitt, Christoph Waltz, Eli Roth, Michael Fassbender, Mélanie Laurent |
| Aspect Ratio  | Unknown |
| Audio Description:  | None |
| Best Sellers Rank | 1,052 in DVD & Blu-ray ( See Top 100 in DVD & Blu-ray ) 27 in Military & War (DVD & Blu-ray) 40 in Historical (DVD & Blu-ray) 312 in Action & Adventure (DVD & Blu-ray) |
| Country of origin  | United Kingdom |
| Customer reviews | 4.7 4.7 out of 5 stars (8,991) |
| Director  | Quentin Tarantino |
| Dubbed:  | French, Spanish |
| Is discontinued by manufacturer  | No |
| Language  | English (Dolby Digital 5.1), French (Dolby Digital 5.1) |
| Manufacturer reference  | 5050582713381 |
| Media Format  | Blu-ray, PAL |
| Number of discs  | 1 |
| Product Dimensions  | 4.4 x 13.6 x 8.9 cm; 80 g |
| Release date  | 7 Dec. 2009 |
| Run time  | 2 hours and 32 minutes |
| Studio  | Universal Pictures UK |
| Subtitles:  | English, French, Spanish |

## Product Details

- **Contributor:** Brad Pitt, Christoph Waltz, Eli Roth, Michael Fassbender, Mélanie Laurent, Quentin Tarantino
- **Format:** Blu-ray, PAL
- **Genre:** Feature|War
- **Language:** English, French, Spanish
- **Runtime:** 2 hours and 32 minutes

## Images

![Inglourious Basterds - Image 1](https://m.media-amazon.com/images/I/71YA9C+zL6L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ A Must Watch
*by J***E on 1 February 2026*

Excelent Film .

### ⭐⭐⭐⭐⭐ One of Tarantino's best films.
*by M***R on 13 March 2012*

I always thought that Tarantino as a director was making quite violent films for my taste. I watched Kill Bill a few years ago, and i have to admit that i loved it, despite the fact that it involved a lot of violent scenes. When inglorious basterds first came out I didn't rush to the cinema until my dad who watched it described to me the first scene at the French village. His description was very good so i decided to watch it. Some of the scenes take your breath away, i love his directing style as he focuses on the characters' emotions, and then the next minute the most violent scene will follow. I never thought that Brad Pitt was a great actor, but in this film he was great. Tarantino's combination of slow almost pausing, moments in the film where the viewer focuses on the character and his/her drama and then immediately an almost frightening scene of extreme violence keeps you a bit on your toes. A lot of plot twists and of course (a film spoiler now) a fantastic imaginary scene of how we would all wish it had happened in the first place: Hitler killed by a Jew, instead of taking his own life. A very good scenario, with good actors and directing. The character of the German detective is so good that it makes you really scared of him. An evil, extremely clever person and an excellent actor Christoph Waltz at his best. His language excellency in french, german, english and italian in the film makes the rest of us green from envy. Not to mention his acting talent. If i was in the academy, i would definitely consider him as an oscar winner. Even if you are not a Tarantino fan, give this film a chance. It is not the best film in the world ever, but it would be in the top 100 I am sure :-)

### ⭐⭐⭐⭐⭐ "Y'know, this may be my masterpiece"
*by M***N on 30 August 2009*

Quentin Tarantino has never been a man to let reality get in the way of telling a good story. For all its coolness and hip dialogue, even his justly celebrated Pulp Fiction has a sense of unreality about, I mean, no one really talks like that, no one. And with his latest, Tarantino has taken this sense of unreality to a whole new level. When we first enter Tarantino's new reality, we are quickly informed that this is occupied France, once upon a time. A young Jewish girl Soshanna Dreyfus witnesses the execution of her family at the hands of SS Colonel Hans Landa (Christoph Waltz), but she manages to escape. Fast forward a few years and Lieutenant Aldo Raine (Brad Pitt) is organising a group of Jewish soldiers to operate behind enemy lines, striking terror into the heart of the Nazi war machine. Nicknamed "the Basterds" by their foes, Raine's men rapidly become a unit to be feared, and is chosen by the high command to take part in a top secret operation. "The Basterds" join German actress and undercover agent Bridgit Von Hammersmarck on a mission to destroy the German high command. Their job is to blow up a cinema in Paris where the Nazi elite are attending a movie premiere of Goebbels latest piece of propaganda. However, the owner of the cinema is the now adult Soshanna (Melanie Laurent) and she has her own plans for revenge. With its preposterous plot and World War 2 setting, you may be expecting a no holds barred action movie, but instead what you get is a movie that is very hard to categorise, and that is only to its credit. Constantly subverting the viewer's expectations, the film is by turns dramatic, violent, action packed and wickedly funny, often all of them in very quick succession, but the one thing it is not is a war film, Tarantino merely uses the setting to tell his tale. And what a tale it is, so utterly over the top it takes a while to realise that it's a joke, but once you do get the point that this is all about the director thumbing his nose at convention, it becomes so much more. With a number of scenes played utterly straight for dramatic tension, in particular the opening interrogation sequence and the following brutally casual execution of the fugitive family, and certain scenes of atrocious violence played for laughs (witness the torture sequence of German prisoners by "The Basterds") it takes a while to get a handle on the film, but Tarantino has littered the film with clues (the opening title sequence, the use of incidental music in a less than incidental fashion, one of the characters in the film being a film critic), and once you get the joke, it becomes very very funny, in that darkly comedic style of Fight Club, where you find yourself laughing in the face of adversity. And not only is it funny and at times so verbally dextrous it is almost impossible to keep up, it is also littered with superb performance, both comedic and dramatic. Brad Pitt gave a hint of his genuine comedic talents in fight Club and later in Burn After Reading, but here he really hits his stride, delivering an at times rousingly funny performance as the larger than life Aldo Raine. Smaller performances of no less appeal litter the film, including Michael Fassbender putting his best stiff upper lip forward as Archie Hicox, Eli Roth as the baseball bat wielding lunatic Donny Donowitz, the Bronson like brilliance of Til Schwieger as Stiglitz (who gets an outrageously brilliant introduction within the film) and Daniel Bruhl as Private Fredrick Zoller, a hero of the Nazi regime and the subject of the film within a film. But if the film belongs to anyone, it is a straight out fight between Melanie Laurent as Soshanna and Christoph Waltz as Hans Landa. Soshanna is a superb creation, frighteningly believable in both her tougher and tender moments, surviving as a tribute to her deceased family whilst at the same time burning with a desire for revenge that eventually extinguishes her desire for self preservation. But rivalling Laurents performance is Waltz as Landa, a sophisticated sadist with a genuine love of his work, even though that work is hunting down and destroying the enemies of the Nazi regime. By turns mannered and menacing, he is an intelligent, quick witted man who is always doing what is best for himself at any given time, and in the hands of Waltz he is a murderer who comes for you with a smile on his face. The film is very funny as I have said before, but that's not to say that bad things don't happen, often to good people, but that's the nature of the tale that Tarantino is telling, after all this is war, albeit Tarantino's highly stylised war. Don't watch this film expecting anything approaching historical accuracy, but watch it instead as Tarantino intended it to be viewed, with your tongue firmly in your cheek.

## Frequently Bought Together

- Inglourious Basterds [Blu-ray] [2009] [Region Free]
- Django Unchained [Blu-ray] [2013] [Region Free]
- The Hateful Eight [Blu-ray] [2017]

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*Product available on Desertcart Belgium*
*Store origin: BE*
*Last updated: 2026-05-14*