LA CUCARACHA (1934) WINNER OF THE 1934 OSCAR FOR BEST SHORT SUBJECT: This groundbreaking musical comedy was the first live-action motion picture shot in 3 color technicolor. It was produced as an experiment to demonstrate how the new technicolor could enhance bright natural hues like flesh or flowers or the subtle tones of twilight. The success of LA CUCARACHA resulted in a full-length feature, BECKY SHARPE (1935).
E**B
Three Stars
Happy memoreis
O**7
I found it amazing: -)
Considering the period, I found it amazing:-)
A**Z
Mexico's finest performances
There are some who look at the Mexican revolution (1910-1920) as this dramatic and chivalrous moment in Mexican history which would bring land and "libertad" to the neglected masses. In reality the revolution destroyed families, led to the death of thousands and in the end changed very little as the heroes of the revolution didn't live to see their dream become reality. In "La Cucaracha", we experience the revolution from the eyes of Colonel Zeta (Emilio India Fernandez at his machista best), Isabel (Dolores del Rio), a widow who's professor husband is forced into service and La Cucaracha (Maria Felix), a soldadera who portrays one of the strongest female leads in a Mexican movie.In Zeta we have perhaps one of the more powerful male figure trying desperately to keep the revolution going eventhough he has lost most of his men and people have lost interest in fighting. His demeanor is such that strikes fear into men. Zeta in turn is matched up against Maria Felix who is as his female counterpart, is a patriot to the revolution and to whom men hold allegiance to. A love triangle ensues between the two and Isabel. Midway through the movie we see that Zeta isn't really the brute that he has to be. The direction is swift, with some memorable battle conversation surrounding the merits of war. The music is of special note, with revolutionary ballads performed on camera by Cuco Sanchez and others. In a cameo performance there is a memorable performance by Pedro Armendariz. His cantina conversation with Zeta is a classic testosterone machista contra machista. Also appearing is Antonio Aguilar in one of his first roles as a young Capitan under General Carranza. During a dramatic moment he must chose his loyalty between Villa and Carranza. One interesting note, is that the director has chosen not to feature Villa at all. Although his presence is felt throughout the movie. Powerful peformances throughout, a must for fanatics of the above stars. The version I saw was not subtitled. There are so many good Mexican movies that arent seen because of this. A loss too many.
Trustpilot
1 month ago
3 days ago