---
product_id: 425484171
title: "American Psycho"
price: "€ 23.72"
currency: EUR
in_stock: true
reviews_count: 9
url: https://www.desertcart.be/products/425484171-american-psycho
store_origin: BE
region: Belgium
---

# American Psycho

**Price:** € 23.72
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## Description

Buy American Psycho New Edit/Cover by Easton Ellis, Bret (ISBN: 9781529077155) from desertcart's Book Store. Everyday low prices and free delivery on eligible orders.

Review: Not for the fainthearted... - It's an extremely dark read. This book took me to places I had no wish to go and never wish to return to. However, as a literary work I believe it has merit. Some reviewers here have complained about the one-dimensionality of the novel, the fact that there's no plot, there's no one to like, no-one to root for. Well, I'm sorry, but why should there be? To massage the reader's ego? To pander to his or her risk of boredom? It's my opinion that everything in this book has been very carefully considered by the author. The book is told through the first person p.o.v of Patrick Bateman, who is a self-admitted psychopath whose "mask of sanity" is slipping more and more as the book unfolds. Thus we see everything through his eyes, and the flat, emotion-free witness of his mind. For instance no mention is ever made of how anyone feels. He has no empathy with others. All he can do is describe what he sees, surface, always surface. Hence the interminable lists of what everyone is wearing. Bateman both hides behind, and is comforted by the uniform of designer labels, the right accessories. He senses he needs to hide, and wants desperately to 'fit in'. At the same time that he can instantly recognize what everyone is wearing, he can hardly recognize who anyone else is. In the world of Wall Street he inhabits, everyone apparently looks the same. The novel is full of mistaken identity, not only by him, but by his fellow Wall Street workers, a fact which he exploits to his advantage. This not knowing who anybody is adds to the general sense of depersonalisation throughout the book, already a problem for Bateman. The author, at least for me, does a brilliant job of capturing the inner mind of a psychopath. For instance, he juxtaposes horrific or traumatic events (of which there are many) with mundane pronouncements from Bateman, for instance what he saw on tv that morning. A chapter which ends after a lengthy, detailed and harrowing description of torture and murder is followed by one discussing the talents of 80s popstars in equal and cheerful detail. This adds to the sense that Bateman can't relate to his crimes emotionally, has no remorse or sense of guilt. They are merely events which pass in his life, no more or less meaningful than other events, a tv show or a new CD. It's quite a brilliant stylistic move by the author to pull this off. On the subject of the murders, I must here warn the unwary reader. Having seen the movie version several years ago, which kind-of glosses over those parts of the book, I was unprepared for the level of detail and forensic description here-in. In some ways it's a novel of 2 halves, the first half being quite a mundane and reasonably sane description of the minutae of Bateman's affluent New York lifestyle. It starts to lull you after a while, and when the horror eventually begins it's a genuine shock. And it is truly horrific. In fact I can't think of another book to match it. I consider myself quite broadminded but I had a couple of moments when I actually felt physically queasy while reading. But I didn't see the violence as gratuitous., as some have, merely there to shock. It all adds to the portrait of Bateman the psychopath that is the book's goal. Is it, as many have said, a satire on 80s culture and the yuppie lifestyle? Perhaps it can be read that way, but I don't think it has to be to have worth. It's a brilliantly imagined, conceived and written portrait of a diseased psychopathic character, sometimes tragic, sometimes comic, sometimes monstrous. Another brilliant move Ellis pulls sis somehow to have Bateman remain, if not a likeable character, then somehow sympathetic. It's necessary, otherwise the reader wouldn't be able to stick with him to the end of the book. He is both terrifying and yet often vulnerable, sometimes even pathetic. It's not an easy thing for the author to pull off. I think he succeeds. Is there an obvious ending to the book? Does the monster receive justice at the hands of the authorities? Of course not. And good thing too. That would have been far too obvious and moralistic for a book like this. At one point mid way through the book he has to face an interview from a detective, during which he completely panics, and reader expectation is that he will eventually be caught, but it leads to nothing. His status and wealth is a disguise seemingly impossible to penetrate. Even when he comes out and confesses to people his crimes, which he often does, they don't really hear or believe him, thinking it a dark joke. One reading of the book, and the way the film played it, is that all the horror is merely Bateman's fantasy and never actually occurs. But this is never explicitly spelt out. It's not the way I read it. The way I see it I think Bateman really does these things, and no-one around him can see it. I think sometimes he wishes someone would see him for what he is, but is doomed to be forever misunderstood, unrecognized. It's quite a brilliant book, and rewards careful reading, but you have been warned: not for the fainthearted!
Review: I need to lie down… - A ridiculously hard if not wildly entertaining read on the heightened world of shallow yuppie culture. One of the most graphic books I’ve ever read but I have to confess I was hooked.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | 3,059 in Books ( See Top 100 in Books ) 3 in Horror Parodies & Satires 13 in Satires 18 in Contemporary Horror |
| Customer reviews | 4.2 4.2 out of 5 stars (14,036) |
| Dimensions  | 13.1 x 3.2 x 19.6 cm |
| Edition  | New Edit/Cover |
| ISBN-10  | 152907715X |
| ISBN-13  | 978-1529077155 |
| Item weight  | 322 g |
| Language  | English |
| Print length  | 416 pages |
| Publication date  | 17 Feb. 2022 |
| Publisher  | Picador |
| Reading age  | 18 years and up |

## Images

![American Psycho - Image 1](https://m.media-amazon.com/images/I/81jZ1EFsHhL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Not for the fainthearted...
*by N***B on 8 January 2016*

It's an extremely dark read. This book took me to places I had no wish to go and never wish to return to. However, as a literary work I believe it has merit. Some reviewers here have complained about the one-dimensionality of the novel, the fact that there's no plot, there's no one to like, no-one to root for. Well, I'm sorry, but why should there be? To massage the reader's ego? To pander to his or her risk of boredom? It's my opinion that everything in this book has been very carefully considered by the author. The book is told through the first person p.o.v of Patrick Bateman, who is a self-admitted psychopath whose "mask of sanity" is slipping more and more as the book unfolds. Thus we see everything through his eyes, and the flat, emotion-free witness of his mind. For instance no mention is ever made of how anyone feels. He has no empathy with others. All he can do is describe what he sees, surface, always surface. Hence the interminable lists of what everyone is wearing. Bateman both hides behind, and is comforted by the uniform of designer labels, the right accessories. He senses he needs to hide, and wants desperately to 'fit in'. At the same time that he can instantly recognize what everyone is wearing, he can hardly recognize who anyone else is. In the world of Wall Street he inhabits, everyone apparently looks the same. The novel is full of mistaken identity, not only by him, but by his fellow Wall Street workers, a fact which he exploits to his advantage. This not knowing who anybody is adds to the general sense of depersonalisation throughout the book, already a problem for Bateman. The author, at least for me, does a brilliant job of capturing the inner mind of a psychopath. For instance, he juxtaposes horrific or traumatic events (of which there are many) with mundane pronouncements from Bateman, for instance what he saw on tv that morning. A chapter which ends after a lengthy, detailed and harrowing description of torture and murder is followed by one discussing the talents of 80s popstars in equal and cheerful detail. This adds to the sense that Bateman can't relate to his crimes emotionally, has no remorse or sense of guilt. They are merely events which pass in his life, no more or less meaningful than other events, a tv show or a new CD. It's quite a brilliant stylistic move by the author to pull this off. On the subject of the murders, I must here warn the unwary reader. Having seen the movie version several years ago, which kind-of glosses over those parts of the book, I was unprepared for the level of detail and forensic description here-in. In some ways it's a novel of 2 halves, the first half being quite a mundane and reasonably sane description of the minutae of Bateman's affluent New York lifestyle. It starts to lull you after a while, and when the horror eventually begins it's a genuine shock. And it is truly horrific. In fact I can't think of another book to match it. I consider myself quite broadminded but I had a couple of moments when I actually felt physically queasy while reading. But I didn't see the violence as gratuitous., as some have, merely there to shock. It all adds to the portrait of Bateman the psychopath that is the book's goal. Is it, as many have said, a satire on 80s culture and the yuppie lifestyle? Perhaps it can be read that way, but I don't think it has to be to have worth. It's a brilliantly imagined, conceived and written portrait of a diseased psychopathic character, sometimes tragic, sometimes comic, sometimes monstrous. Another brilliant move Ellis pulls sis somehow to have Bateman remain, if not a likeable character, then somehow sympathetic. It's necessary, otherwise the reader wouldn't be able to stick with him to the end of the book. He is both terrifying and yet often vulnerable, sometimes even pathetic. It's not an easy thing for the author to pull off. I think he succeeds. Is there an obvious ending to the book? Does the monster receive justice at the hands of the authorities? Of course not. And good thing too. That would have been far too obvious and moralistic for a book like this. At one point mid way through the book he has to face an interview from a detective, during which he completely panics, and reader expectation is that he will eventually be caught, but it leads to nothing. His status and wealth is a disguise seemingly impossible to penetrate. Even when he comes out and confesses to people his crimes, which he often does, they don't really hear or believe him, thinking it a dark joke. One reading of the book, and the way the film played it, is that all the horror is merely Bateman's fantasy and never actually occurs. But this is never explicitly spelt out. It's not the way I read it. The way I see it I think Bateman really does these things, and no-one around him can see it. I think sometimes he wishes someone would see him for what he is, but is doomed to be forever misunderstood, unrecognized. It's quite a brilliant book, and rewards careful reading, but you have been warned: not for the fainthearted!

### ⭐⭐⭐⭐ I need to lie down…
*by T***S on 19 January 2026*

A ridiculously hard if not wildly entertaining read on the heightened world of shallow yuppie culture. One of the most graphic books I’ve ever read but I have to confess I was hooked.

### ⭐⭐⭐⭐⭐ Given as a gift.
*by A***R on 4 February 2026*

Not my choice of literature - maybe it should be; but my sons was very happy to receive this book as a gift.

## Frequently Bought Together

- American Psycho: Bret Easton Ellis (Picador Collection, 1)
- Fight Club: A Novel
- A Clockwork Orange

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*Product available on Desertcart Belgium*
*Store origin: BE*
*Last updated: 2026-04-27*