---
product_id: 1478830
title: "V for Vendetta [Blu-ray]"
price: "€ 26.01"
currency: EUR
in_stock: true
reviews_count: 8
url: https://www.desertcart.be/products/1478830-v-for-vendetta-blu-ray
store_origin: BE
region: Belgium
---

# V for Vendetta [Blu-ray]

**Price:** € 26.01
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## Description

V for Vendetta (BD)

Review: Enjoy the Extras on 2-disc Special Edition - INCREDIBLE Movie! - This is a review for "V For Vendetta - Two-Disc Special Edition", to give some information on the extras included with the movie. This is one of my family's favorite movies. It's exciting and it's stirring. Comic book but complex. Superbly filmed and acted, but then it had an amazing graphic novel to follow. Here's comments from participants in the DVD extras on this 2-disc Special Edition that echo my feelings about "V for Vendetta": Kevin Phipps, supervising art director: "You don't really know where you are, in terms of time. It's almost as if creativity has stopped." (extra #1) Daniel McTeigue, director: "I think it's a political thriller, first and foremost. It is in the superhero genre, but it's also a play on that convention." (Special Feature) John Hurt, who plays Adam Sutler: "The themes are serious. I'm not sure the treatment is as serious as that. But on the other hand, if it was as serious as that, I'm not sure that it would reach the amount of people that it's intended to reach." (Special Feature) Stephen Fry, who plays Dietrich: "This is a movie about a terrorist. The hero is a terrorist. It's a very good ethical point, because as we all know, one man's terrorist is another man's freedom fighter." (Special Feature) Indeed, though I root for "V", he is not perfect. He wants the populace to stir themselves, stand up for themselves, and take their government back. But not until after he's had his vengeance. DISC NUMBER ONE: 1. The movie. Spoken languages available are the original English and dubbed French. Subtitles available in English, French and Spanish. 2. Special Feature, 31 minutes: "Freedom Forever! Making V for Vendetta". This feature and extras 1, 2, and 3 were made at the same time. That is, when someone, such as the director, appears in more than one, you can tell that they were filmed at the same time. The extras compliment each other, rather than repeat each other. Interspersed with the interviews are film clips and production clips, too. Participants include James McTeigue, director, who says, "I was the assistant director on the Matrix films. To live in the Matrix world is to know the graphic novel world." DISC NUMBER TWO EXTRAS: 1. "Designing the Near Future", 9 minutes. Interesting stuff. The V mask was cast in fiberglass from a clay mold. It took the sculptor several tries. Most of the film was made at the Babelsberg Studio in Berlin. But there were crucial outdoor scenes that had to be filmed in England, such as at the end, where the mass of V's converge on Trafalgar Square on the 5th of November. It took 5 months to set up the 3 nights of filming; about 30 agencies/organizations had to give approval and/or co-ordinate. 2. "Remember Remember: Guy Fawkes and the Gunpowder Plot", 14 minutes. The history of the original gunpowder plot and how it's grown into an annual celebration in England. One interesting comment is by Sinead Cusack, who plays Delia Surridge. She was born in Dalkey, Ireland, and they have a different view of Guy Fawkes there. 3. "England Prevails: V for Vendetta and The New Wave in Comics", 24 minutes. This is about the comic book, or graphic novel. The camera-shy Alan Moore does not appear, but David Lloyd, who created the graphics for Moore's narrative, appears in several of the extras. Karen Berger, executive editor of Vertigo, DC's edgier more adult-oriented company says: "V for Vendetta is in a class of its own. It's a brilliant piece of work. It's a commentary on society. At the time it was written, there was absolutely nothing being done like that." The original comic book was published in black & white in England. Twenty-six issues were created before the publisher folded. Unfortunately, this was before V's story was finished! Both Alan Moore and David Lloyd were subsequently hired by DC comics, who saw the genius, and published a complete version of "V" in color. 4. Cat Power Montage. This is like a song video. Clips of the movie are shown while Cat Powers sings "I Found a Reason", from The Covers Album (2000) 5. Soundtrack album info 6. Theatrical trailer Happy Reader
Review: Thus always to tyrants and oppression - fantastic movie - Having not read the graphic novel on which this movie is based, I cannot (and would not) debate the faithfulness of the adaptation or its relative worth. I also cannot divine what the Wachowski brothers' intent or motivations might have been, especially regarding the current political climate. I can only relate what I witnessed and experienced from the film alone as an isolated piece of art, and it was good... profoundly so. The film does not dabble with subtleties or nuances. The regime in charge of Britain is clearly oppressive. However they came to power and whatever their motivations (and the film ultimately reveals the back story), it is clear that they rejoice in their complete authority and enthusiastically abuse it. The field agents or Fingermen violate the citizenry; the televised face of the nation self-righteously revels in the judgment heaped upon other nations spewing smug vitriol; the religious leaders fulfill their carnal desires; the communications ministry controls all programming twisting the news to its own ends while eavesdropping on the general population; the Chancellor clearly rules through fear and with an iron fist. Dissidents are quickly and quietly disposed of through violent means. Free thought does not exist. This is an archetypal oppressive evil regime. V is the faceless archetypal hero. Happily he remains faceless for the duration of the movie. His mask is all we see. The lifeless mask allows for his thoughts and ideas to be the focus rather than his individuality. His appeal is not so much for how he handles a fight and a blade, though impressive; his true weapon is speech. Eloquent and literate, he expresses ideas that cut straight to the heart (the people should not fear their government, but the government should fear its people). Suspend belief for a period and watch as he shakes a sleeping nation. He chastises the citizens as the true culprits that have allowed the current state of affairs. Then he provides inspiration and a means to do something about it. We see the cowardly and zombie-like nation slowly awaken and climactically throw off its oppressor. This is not a "how-to" tool for overthrowing a dictatorship. Nor is it in my opinion a scathing indictment of any administration or specific political landscape in the first decade of the 21st century (though it will make you think about some things). Its power is in the universality of the tale. It resonates because it does not have to be political at all. It is about people and oppression and anyone finally standing up to throw off tyranny in any of its forms by whatever means. Certainly violence works well for a movie and to dramatically represent the point. But do not lock the greater meaning and power of the message into its form. Speaking of its universality, I was very much reminded of the musical "Les Miserables" (precursor to the French Revolution). It is a rousing tale where one sacrifices self-interest for the greater good. The cinematography is phenomenal with its stark colorization; it is a visually stunning film. The action is entertaining. A more rousing tune than the "1812 Overture" cannot be found. The film slows slightly while providing some back story, but it is necessary to fully inform the narrative. From start to finish, it is just a remarkable achievement.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Contributor | Amelda Brown, Andy Rashleigh, Ben Miles, Charles Cork, Hugo Weaving, James McTeigue, John Hurt, John Ringham, John Standing, Natalie Portman, Richard Campbell, Rupert Graves, Sinéad Cusack, Stephen Fry, Stephen Rea, Tim Pigott-Smith Contributor Amelda Brown, Andy Rashleigh, Ben Miles, Charles Cork, Hugo Weaving, James McTeigue, John Hurt, John Ringham, John Standing, Natalie Portman, Richard Campbell, Rupert Graves, Sinéad Cusack, Stephen Fry, Stephen Rea, Tim Pigott-Smith See more |
| Customer Reviews | 4.7 out of 5 stars 6,246 Reviews |
| Format | AC-3, Blu-ray, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen |
| Genre | crime-action |
| Initial release date | 2008-05-20 |
| Language | English |

## Product Details

- **Format:** AC-3, Blu-ray, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen
- **Genre:** crime-action
- **Initial release date:** 2008-05-20
- **Language:** English

## Images

![V for Vendetta [Blu-ray] - Image 1](https://m.media-amazon.com/images/I/91HCREjdUZL.jpg)
![V for Vendetta [Blu-ray] - Image 2](https://m.media-amazon.com/images/I/91dq5sCLukL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Enjoy the Extras on 2-disc Special Edition - INCREDIBLE Movie!
*by H***R on July 7, 2012*

This is a review for "V For Vendetta - Two-Disc Special Edition", to give some information on the extras included with the movie. This is one of my family's favorite movies. It's exciting and it's stirring. Comic book but complex. Superbly filmed and acted, but then it had an amazing graphic novel to follow. Here's comments from participants in the DVD extras on this 2-disc Special Edition that echo my feelings about "V for Vendetta": Kevin Phipps, supervising art director: "You don't really know where you are, in terms of time. It's almost as if creativity has stopped." (extra #1) Daniel McTeigue, director: "I think it's a political thriller, first and foremost. It is in the superhero genre, but it's also a play on that convention." (Special Feature) John Hurt, who plays Adam Sutler: "The themes are serious. I'm not sure the treatment is as serious as that. But on the other hand, if it was as serious as that, I'm not sure that it would reach the amount of people that it's intended to reach." (Special Feature) Stephen Fry, who plays Dietrich: "This is a movie about a terrorist. The hero is a terrorist. It's a very good ethical point, because as we all know, one man's terrorist is another man's freedom fighter." (Special Feature) Indeed, though I root for "V", he is not perfect. He wants the populace to stir themselves, stand up for themselves, and take their government back. But not until after he's had his vengeance. DISC NUMBER ONE: 1. The movie. Spoken languages available are the original English and dubbed French. Subtitles available in English, French and Spanish. 2. Special Feature, 31 minutes: "Freedom Forever! Making V for Vendetta". This feature and extras 1, 2, and 3 were made at the same time. That is, when someone, such as the director, appears in more than one, you can tell that they were filmed at the same time. The extras compliment each other, rather than repeat each other. Interspersed with the interviews are film clips and production clips, too. Participants include James McTeigue, director, who says, "I was the assistant director on the Matrix films. To live in the Matrix world is to know the graphic novel world." DISC NUMBER TWO EXTRAS: 1. "Designing the Near Future", 9 minutes. Interesting stuff. The V mask was cast in fiberglass from a clay mold. It took the sculptor several tries. Most of the film was made at the Babelsberg Studio in Berlin. But there were crucial outdoor scenes that had to be filmed in England, such as at the end, where the mass of V's converge on Trafalgar Square on the 5th of November. It took 5 months to set up the 3 nights of filming; about 30 agencies/organizations had to give approval and/or co-ordinate. 2. "Remember Remember: Guy Fawkes and the Gunpowder Plot", 14 minutes. The history of the original gunpowder plot and how it's grown into an annual celebration in England. One interesting comment is by Sinead Cusack, who plays Delia Surridge. She was born in Dalkey, Ireland, and they have a different view of Guy Fawkes there. 3. "England Prevails: V for Vendetta and The New Wave in Comics", 24 minutes. This is about the comic book, or graphic novel. The camera-shy Alan Moore does not appear, but David Lloyd, who created the graphics for Moore's narrative, appears in several of the extras. Karen Berger, executive editor of Vertigo, DC's edgier more adult-oriented company says: "V for Vendetta is in a class of its own. It's a brilliant piece of work. It's a commentary on society. At the time it was written, there was absolutely nothing being done like that." The original comic book was published in black & white in England. Twenty-six issues were created before the publisher folded. Unfortunately, this was before V's story was finished! Both Alan Moore and David Lloyd were subsequently hired by DC comics, who saw the genius, and published a complete version of "V" in color. 4. Cat Power Montage. This is like a song video. Clips of the movie are shown while Cat Powers sings "I Found a Reason", from The Covers Album (2000) 5. Soundtrack album info 6. Theatrical trailer Happy Reader

### ⭐⭐⭐⭐⭐ Thus always to tyrants and oppression - fantastic movie
*by K***N on October 4, 2008*

Having not read the graphic novel on which this movie is based, I cannot (and would not) debate the faithfulness of the adaptation or its relative worth. I also cannot divine what the Wachowski brothers' intent or motivations might have been, especially regarding the current political climate. I can only relate what I witnessed and experienced from the film alone as an isolated piece of art, and it was good... profoundly so. The film does not dabble with subtleties or nuances. The regime in charge of Britain is clearly oppressive. However they came to power and whatever their motivations (and the film ultimately reveals the back story), it is clear that they rejoice in their complete authority and enthusiastically abuse it. The field agents or Fingermen violate the citizenry; the televised face of the nation self-righteously revels in the judgment heaped upon other nations spewing smug vitriol; the religious leaders fulfill their carnal desires; the communications ministry controls all programming twisting the news to its own ends while eavesdropping on the general population; the Chancellor clearly rules through fear and with an iron fist. Dissidents are quickly and quietly disposed of through violent means. Free thought does not exist. This is an archetypal oppressive evil regime. V is the faceless archetypal hero. Happily he remains faceless for the duration of the movie. His mask is all we see. The lifeless mask allows for his thoughts and ideas to be the focus rather than his individuality. His appeal is not so much for how he handles a fight and a blade, though impressive; his true weapon is speech. Eloquent and literate, he expresses ideas that cut straight to the heart (the people should not fear their government, but the government should fear its people). Suspend belief for a period and watch as he shakes a sleeping nation. He chastises the citizens as the true culprits that have allowed the current state of affairs. Then he provides inspiration and a means to do something about it. We see the cowardly and zombie-like nation slowly awaken and climactically throw off its oppressor. This is not a "how-to" tool for overthrowing a dictatorship. Nor is it in my opinion a scathing indictment of any administration or specific political landscape in the first decade of the 21st century (though it will make you think about some things). Its power is in the universality of the tale. It resonates because it does not have to be political at all. It is about people and oppression and anyone finally standing up to throw off tyranny in any of its forms by whatever means. Certainly violence works well for a movie and to dramatically represent the point. But do not lock the greater meaning and power of the message into its form. Speaking of its universality, I was very much reminded of the musical "Les Miserables" (precursor to the French Revolution). It is a rousing tale where one sacrifices self-interest for the greater good. The cinematography is phenomenal with its stark colorization; it is a visually stunning film. The action is entertaining. A more rousing tune than the "1812 Overture" cannot be found. The film slows slightly while providing some back story, but it is necessary to fully inform the narrative. From start to finish, it is just a remarkable achievement.

### ⭐⭐⭐⭐⭐ Not what I expected from the packaging
*by Z***D on June 27, 2008*

This film wasn't what I expected, from what I could glean of it from the cover picture and the blurb on the back of the case. I assumed V had a silent role, and that the film would be set somewhere in the former Communist eastern Europe. Once I watched it, however, I ended up getting much more than I bargained for. In short, this movie can be interpreted as a very stern warning to those who abuse power---and reminds us who gave them that power. John Hurt plays perfectly the megalomaniacal chancellor who is consumed by a desire to control everything in sight, and Natalie Portman does an excellent job of portraying Evey, who first regrets being caught up in the deadly game V plays with his former tormentors, but finally becomes his willing tool. I agree with some of the other reviewers that this movie has scenes which appear to be based on events in real life, as well as scenes from other movies. The analogy of the chancellor to Hitler is obvious, with the oversized symbol, marching before the platform, effective use of red and black to reinforce the propaganda effect, and the suggestion of a mentality meant to pervade all; the chancellor's chief servants eventually start to turn on each other, with disastrous results to his cabinet, a clear indictment of the infighting which shook the Bush administration to its core; the subway scene near the end, in which Portman cradles the dying V a la Luke Skywalker toward the end of "Return of the Jedi"; the ruling party's infuriation at being parodied, so reminiscent of Fidel Castro's ire toward the late cartoonist Antonio Prohias; the ending with thousands of extras which was based on an actual incident in the former Yugoslavia which resulted in the downfall of Milosevic's regime; and V's disguise, his chivalrous manner, and his expertise with blades, so reminiscent of Zorro. V reminds us in brutally graphic fashion why a gentleman should never hit a lady. The only thing absent from real life is the character who holds to account everyone who took part in the conspiracy which brought them to power; presumably, that is the greatest fear of some of our leaders who've failed us (and you know who you are). As for the plot, I found it easy to follow despite its complexity and the penchant which most British film makers seem to have for dwelling a little too much on drama. About the worst I can say of this movie, however, is that Hugo Weaving as V can be a bit of a motormouth, though an impressively prosy and witty one. We eventually realize that a number of elements are introduced into the plot as it progresses, but the makers of this film do a good job of tying up all the loose ends and bringing the bouquet together, as the villainous party members take to feuding with each other as V picks them off one by one... except for the last, who finds out the hard way what it will be like to live in a changed world in which he is stripped of his power. Can you say "emotionally castrating"? The crowning virtue of this film is the question of V's true identity. We realize at the end that the question is a moot point, but we still want to see the man behind the mask. But then, V wouldn't want me to spoil the ending, now would he? I fully recommend this film. Control freaks will find it traumatizing, but I daresay the rest of us will find it well worth the price.

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