Sayonara Jupiter

Easily Discotek's best Toho DVD to date, Sayonara Jupiter is an excellent release across the board, featuring superb video and audio quality while also being stocked with a ton of extras. To be fair, though, this release isn't quite as grand as the Pioneer two disc set that was released in Japan, but given that the region 2 set is now long out of print, sold for more than three times the cost of this one, and lacks English viewing options, the choice between the two should be easy for most.The disc is complemented with an excellent video presentation. Overt digital inconsistencies are nonexistent here, and while the movie could have looked sharper the detail visible is still rich. The colors are also nice and distinct on this release, not as vibrant as is possible on the format but the deep reds and yellows still look fantastic. The print used for the transfer, outside of a few scratches, is also in amazing shape with a very low level of visible grain. Sayonara Jupiter is presented in its original aspect ratio of 1.85:1, and is Anamorphic for widescreen TVs. Sadly, the video track has been heavily window boxed (a black border around the image). This will allow the DVD to play without a hitch on older sets, which sometimes crop the edges, but also causes for the video, from the perspective of newer sets, to be needlessly compressed.This disc contains two audio tracks, both presented in 5.1 surround. The first is the original Japanese track, while the second is Toho's international English dubbing for the production, which redubs dialogue even for the numerous English speaking parts in the film. In terms of audio quality, both are excellent, featuring no inconsistencies while the added speaker distinction works well for the surround presentation. Overall, the Japanese track fares better, with a much more rich sound to both the dialogue (naturally) and sound effects, but both are still solid audio presentations. As for the performances in the dubbing, it's bad even by Toho's standards for these tracks, while a lot of the dialogue readers should be familiar to viewers as they have been doing these tracks since the 1970's while a few of them would continue on dubbing into the next decade for the firm.The audio can be accompanied with, removable, English subtitles. The subtitles only appear for the non-English speaking parts in the film, though. For those interested in the pricey region 2 set, it's worth mentioning that this release lacks the original 2.0 audio track and the 5.1 DTS track of the movie that are located there.For a single disc release, Sayonara Jupiter is packed with extra content. The star attraction here is a half hour "Making of Special", covering mostly the special effects that went into the production. Unfortunately, the video quality is a little iffy, as seen here, but the reason for this is because Pioneer (the company in Japan which put out the R2 DVD, and the same DVD Discotek is using for their release), decided to transfer the original VHS tape of this "Making Of" special directly to DVD. As a matter of fact, the very beginning of the special starts off by saying Toho Video. So, what we are watching essentially is a copy of the original VHS cassette, which is kind of nostalgic in a way, but also makes one wish that the original source could have been found. The feature is still very informative and in depth on how a lot of the sequences were created, making for an excellent inclusion regardless.Next up is a menu based feature called "About the Film". Now I have never been a fan of these types of features, such as the boring "by the book" ones that AnimEigo does. However, this one is really superb, featuring a huge amount of reports on the film, informative bios on the cast and crew, tons of production stills and concept art which can be clicked on to fit the whole screen. It might be a little overwhelming though, as there are tons and tons of pages to sift through while a couple of their translations also go astray (Godzilla vs. Mega-Girath G and Godzilla vs. Mega-Godzilla), but the information contained within is incredibly in depth. There are also four trailers, including one for this film, of Discotek's four Toho titles.Rounding out the disc are two more features, one a short bio on a play version done of the concept for Bye-Bye Jupiter called "Another Sayonara Jupiter", which is the least interesting of the extras but is exclusive to this release, and another which is a very thorough Photo Gallery. The gallery features background text, with Japanese from the region 2 being seen while Discotek overlapped English translations on top of most of these. The galleries cover the ships, the tons of merchandise released with the film, and stills for the IO production company that was created specifically for this film.Despite the breadth of supplemental content available here, there are still a number of things missing compared to the Pioneer two disc set that was released in region 2. These include three additional making of features that consists of a 46 minute behind the scenes video (showing the cast and crew at a press conference among other things), a 22 minute "TV Clip" segment (which shows Sakyo Komatsu, Koichi Kawakita and his staff discussing the film) and a 45 minute video called "Continuity" (which is a long segment showing all 850 storyboards on a projector). There is also some additional concept art, a commentary track and a "SFX Selection" feature that showcases the scenes of the ships from the movie.Bottom line, if anyone has an interest in the movie, and hasn't already helped themselves to the region 2 set, then Discotek's offering is a must for its English options and easy to swallow asking price.

Imagine a poorly written, ultra low budget rendition of "2010: The Year We Make Contact" set to an always-present musical score that can only be described as the "B" side of Olivia Newton-John singles sung in Japanese by nobodies. If only this movie were as good as THAT! The horrific music is not only unrelenting, but the movie is repleat with musical interludes featuring song-length servings showing nature scenes or people frolicking on the beach. YES, I'M STILL TALKING ABOUT SAYONARA JUPITER.The story by itself is interesting; a black hole enroute to collide with our sun, some alien life type discoveries, and a novel way of rescueing the earth. I like all types of sci-fi, including low-budget Japanese film, so I knew what to expect (or so I thought). But the torturous music WILL NOT STOP. At least the stilty dialog and terrible acting is punctuated by a line occasionally being delivered believably, and the wires aren't visible on the ultra-cheapo models. But that music...Still interested? All scenes seem to take place in only five or six rooms and a small beach area. The giant space station comprise about four of those living room-sized areas with some kind of mission control being the other room. My count might be off, but only because my brain swelling still hasn't gone down. The approach to planets and so forth are all done by the camera zooming in on a grainy still. A few slow-flying laser bullets, too. You know the kind. Get the level of effects here?STILL interested? Did I mention the fat Japanese Jerry Garcia who heads a Jupiter cult? Yeah, he's intent on seeing the space project stopped. At least he is until his pet dolphin gets bit by a shark. If you want to hear him perform some numbers while watching critters scamper through nature, don't pass up this cinematic gem. Picture the original "True Grit" if Glen Campbell had sung for five minutes every ten minutes. No, not that good, either.Unless you're buying my copy of this bitterly disappointing afternoon waster (in which case it's the finest film the Academy ever passed over!), please, please, please pass and look elsewhere. I haven't wanted two hours back this badly in a long time. You were warned.

Where to start. The first impression was to admire the special effects. The planet Jupiter looked great along with spaceships.The story, it was really disjointed in going from someone talking in English and being answered in Japanese. From an actor on a spaceship near Jupiter - to seeing same actor on earth talking to leader of opposition on a beach.(It saved having to pay for rental of building I guess.) Nothing said about time it would have taken to go from Jupiter to Earth. Like he was there the next day. I was really excited to see it after reading reviews. Oh Well - I still can watch Godzilla 1998.

It's bad and mildly entertaining.It's a stretch to compare the effects to "major studios", though in their own way they are better than the cgi on Sy-Fy produced films.The story, plot is too strong a term, makes little sense. Suspension of belief will not help. The music is so annoying I wished for a way to shut off the sound and use captions. Read the 1 star review. Oddly, I think that if Godzilla had been able to show up and simply destroy stuff, it could have raised the entertainment value. Is it worth $17.96? No. At $9.96, it would be worth it, if only to see the incomprehensible long scene where an attractive woman floats naked through fake zero gravity.

I bought this because of the Toho/Koichi Kawakita connection. It is pretty wild and worth a watch at least once if only for the Space McDonalds and dolphin scenes.

probably not worth it, too drug out should have been more action

This was a classic Japanese Sci-Fi film that I had heard of but never seen before. I was really surprised by it. The DVD comes with both the original Japanese version and the English language dub, plus a bunch of special features.

strong start, went down hill from there

I was on extra on this film back in 1983 so I gave it an extra star. At the time it was the highest budgeted Japanese Sci-Fi movie which gives you an idea of what the others must be like. Some of the customer reviews are rather generous I feel. Casting and costumes seemed quite spontaneous. The western actors were at best semi-pro, one of the main characters had a thick French accent so they just asked random male westerners to sound check for a voice over and seemed to select on the basis of volume. This hap-hazard approach is reflected in the plot and the script. Even though I have that personal interest I haven't been able to watch it all the way through. It is too excruciating. You need to be a fan of Japanese Sci-Fi genre to appreciate this I think.By the way I am amongst the lab techs at the beginning of the film when the Mars polar ice cap melts. I did film a number of close-ups but sadly they all ended up on the cutting room floor.

Japanese movie's have a habit of suckering me in and I was definitely fished in with this one, and as per usual I'm left rather bemused by the experience. Sayonara Jupiter is packed full of stunning special effects telling the tale of aliens on Jupiter, A hippie cult and a mission to blow the titular planet up, I'd explain the plot but I'm not terribly sure I really understood it, there was a huge whale like alien on Jupiter but we never really get to the bottom of that one, theres also a hippie cult that take up weapons to stop the mission to blow the planet up because they thought it was pretty or something. Sayonara Jupiter looks amazing, the special effects are definitely up there with 2001 A Space Odyssey but certainly the same standard doesn't apply to the script, The mind numbingly incomprehensible script does have the saving grace of partially taking your attention away from the ludicrously unfathomable plot. Just to add more distress to the viewer there's a good sprinkling of schmaltz and cheesiness, This viewer found the whole thing a chore getting to the end but at least the pain did eventually stop. If your into weird Japanese stuff you will probably like this, If however your after a bit of quality SCI FI give this a massively wide berth.