---
product_id: 140174203
title: "Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal"
brand: "valeton"
price: "€ 5.88"
currency: EUR
in_stock: false
reviews_count: 8
url: https://www.desertcart.be/products/140174203-valeton-coral-amp-modeling-preamp-digital-amplifier-modeler-guitar-effects
store_origin: BE
region: Belgium
---

# CAB SIMs 16 Amp Models A/B Channel Switch Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal

**Brand:** valeton
**Price:** € 5.88
**Availability:** ❌ Out of Stock

## Summary

> 🎶 Elevate Your Tone, Own the Stage!

## Quick Answers

- **What is this?** Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal by valeton
- **How much does it cost?** € 5.88 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.be](https://www.desertcart.be/products/140174203-valeton-coral-amp-modeling-preamp-digital-amplifier-modeler-guitar-effects)

## Best For

- valeton enthusiasts

## Why This Product

- Trusted valeton brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Unleash Your Sound:** 16 carefully selected modeling amplifiers, from crystal clean to high gain, to match your unique style.
- • **Universal Compatibility:** Works with standard 9V center negative power supplies, making it a breeze to integrate into your setup.
- • **Studio-Quality Recording:** Dedicated CAB SIMs allow for pristine sound whether recording or going direct to PA.
- • **Seamless Live Performance:** Convenient A/B channel switching for effortless transitions during your gigs.
- • **Pristine Sound Preservation:** Special design buffer bypass circuit ensures your tone remains untouched.

## Overview

The Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal offers 16 meticulously crafted amplifier models, A/B channel switching for live performances, dedicated CAB SIMs for recording, and a buffer bypass circuit to maintain sound integrity, all powered by a standard 9V pedal power supply.

## Description

The Practical Alternative If you prefer the good old fashion tube amps, you hang on to that. We totally get the picture of years and years of carrying the amp anywhere you play and bonding with it. But if you've felt that carrying a tube amp is of a lot of trouble, and wanted something that is light and compact, but most importantly, sounds AUTHENTIC, take a look at this Coral Amp. This amp modeler is the real deal! The 16 models have covered from Fender Twin style crystal clean to the edge of break-up bite of Tweed, to the classic British roaring crunch, to modern monstrous hi-gain.16 of ThemThe 16 hand-picked amp models can cover basically all your tonal needs like California clean, British crunch, modern hi-gain. We simply get inspiration from those prestigious amp models through out the history of rock n' roll. And we spent days and nights trying to tune those algorithms, making them remain the maximum of authenticity.Intuitive to UseThe layout of controls is as simple as it can get. LOW, MID, HIGH, VOL., GAIN are as what they are on those real amps. The knobs are made of LED, which can well show the working state of the pedal. And they are very responsive. Meanwhile, this thing is built like a tank. The Aluminum-alloy die-cast casing withstands wear and tear.Bonus FeaturesCoral Amp has a Cab Sim function with a LED light. If the Cab Sim LED night flashes, it means that's the Cab Sim is on. If it stays still, then it's off. The 16 amp models would be divided into 2 channels. You can use the footswitch to choose between channels. And if you hold the footswitch button, you can turn the pedal off. And it's buffer bypass.Specifications:Power：9V DC center negative(not included)Current Consumption：200mADimensions：93.5mm(D)×42mm(W)×52mm (H); Weight：150g

Review: Lots of different, usable amp sounds in one small, user-friendly pedal. - This pedal models 16 different guitar amp sounds, with an on/off cabinet simulator button allowing simulation of the cabinet type for the amp modeled. With 16 amp models and cab simulator feature, the Pedal is complex, but the design is user-friendly: The raised, top, middle, high, and volume, 8-position amp type, and gain controls are all backlighted; when alight, the unit is on. A flush-mounted button in the center turns the cabinet simulator on and off; when the cab simulator is on, the lighted button steadily flashes, when off, alight, no flashing. The DPDT switch turns the unit on and with a quick tap, allows the player to select between the first 8 amp selections on the “A” side of the list, and the second 8 amp selections on the “B” side of the list. When the “A” side is selected, the center push-button lights up green, with side “B” selected the button lights up red. The center button also activates the cabinet simulator. When on, the center button blinks. When off, the button is solid red or green, in easily distinguishableshades. Pressing and holding the DPDT unit turns the effect off; when the unit is off, the control and center button lights both shut off. The pedal comes with three business-card-sized business cards, printed on both sides, that list the pedal features, specifications, explain the control layout, and a grid list of “A” and “B” side amp selections and cabinet simulators for each amp setting. And, if you can’t find the List, no problem; there’s a graphic on the left side of the pedal listing all of the A/B settings. 😊 I played through each selection using both a Gibson Les Paul, and a Fender USVRI `62 Stratocaster. I played through a solid-state, Rickenbacker TR25 amp, with the controls set to clean and with as neutral a tone as possible, and trying each setting using the cab simulator both on, and off. “A” Amp Simulators: J 120: Faithful rendition of the clean, transparent sparkle of the amp, with either guitar. Bellman: 4X10 tweed Bassman-type, tube amp warmth crossing over into old tube amp breakup growl; at the 12 O’clock, the sound stays clean with the Strat, with some breakup with the LP, Turn up the gain for dirt with the Strat, or more dirt with the LP Tweedy: modeled after the Tweed Deluxe; less bottom than the Bellman setting, a bit more mid-range and snappy top, but not brittle. Overdrives at the 12 o’clock setting on the Strat, more with the LP, sounds like a low-wattage amp. Nice, dirty growl with the LP on the bride pickup, sweeter, bluesy tone on the middle pickup Black: Wow! I close my eyes, and I think I’m playing out of a Twin Reverb with the reverb off. Add reverb and whoa! Turn the gain up to about the 2-oclock position to get some dirt in the signal with a Strat. With the LP, there’s a touch of dirt at the 12 o’clock position, back the gain off to 10’oclock for clean. Foxy: Cool! I am an AC30 fan. sounds like an AC30; chime, growl, breakup-has that “Class A” sound. Natural breakup. Future 100: Where did the Mesa Boogie come from?! Meant to emulate the F-100, the setting offers a lot of tonal clarity, lots of bottom, and some dirt over the top of it all-Like a Fender on steroids. Build: Rugged, solid metal casing, DPDT switch, backlighted control knobs-nice feature, flush-mountede center button that serves an the A/B and Cab simulation indicator-easy to use, easy to read, easy to distinguish red/green shades, even for even for a player with some red/green colorblindness. Match: Described as based on the 2x12 Matchless Chieftain, this setting has the Class A sound it really has the Class-A sound with overdrive, chime, clarity. To my ear, sounds like a gutsier AC30, with a little more bottom end. Pretty sweet! Really dirties up with clarity with the LP, nice clean-to-dirty choppiness with the Strat. Kind of makes me want to sell my AC30 and get a Matchless UK 45: described as based on the Marshall JTM 45. Wow! Major classic crunch! Use the 4x12 Cabinet simulator for to get that tight, directed, bottom and signal output.. “B” Amp Simulators: Flagman: “Boutique UK Hi Gain Amp”; serious, hi-gain, and serious crunch! Great growl and crunch on rhythm, nice sustain, clear single notes. I can’t believe I’m playing out of a small, 1x12 solid-state amp. Rocker: “Orange Rockerverb 100”; a popular amp at our local rehearsal studio; I like this setting; smoother, creamier breakup than the Flagman, highly usable. UK900: “Marshall JCM 900”; Yes-I think they captured it! 😊 Boogie: “Mesa Boogie Mrk II C”: This is a brighter-sounding setting; Fender-y with crunchy distortion on top of it, lots of snarling guitar tone. Very tight, crunchy distortion. I had to back the high and mid off to about 2o’oclock or 3 o’clock to get the tone I wanted. I’m thinking it might be really good with guitars that are tuned down. Still sounds good at normal pitch, just optimal with high and mid backed off. Solo: “Soldano SLO 100”; lots of bottom, lots of gain, lots of crunch-it’s like buzz saw and a revving motorcycle engine. Gets the heavy rock/metal sound; I want to play fast on this setting. Eagle: “ENGL Savage 120”; brighter sounding than the Solo, similar, tight, crunch, heavy distortion, metal sound. Not really my sound. EV51: “Peavey 5150”; super tight crunch. Lots of gain, much better tonal range then the Eagle to my ear, but probably way too heavy for me to use-at least with current projects. Likely useful to those who play hard rock and metal. Dizz: “Diezel VH4”; I am not familiar with this amp. This setting has crunch! Tight, focused, bottom end. A lot of crunch and clarity. To maximize the simulation, I recommend using the cabinet simulator setting for whichever amp simulator setting you’re using, unless you are already playing through that type of cabinet. There is a distinct difference at each setting with the cab simulator on vs. the cab simulator off. Overall, with the knobs set in the same place, each simulator setting is pretty impressive to this player’s ear. Each amp simulation is distinct and definitely usable! The Amp simulator is also pedal-friendly, if you like to add reverb, delay, or pitch modulation of some sort, and also works with a clean boost, or compressor; Except for the JC120 setting, I didn’t employ any dirt pedals, since adjusting the gain control on the pedal will give the player “dirt.” I’m keeping this pedal in my pedal board-I may even remove one or two of my gain pedals.
Review: Recommended - Love the amp simulations. They recorded fairly well using the cab sim. I haven’t tried it with my amp but don’t plan to... I’m using this strictly for recording. Design wise it’s very SMALL. And visually it’s really difficult to ascertain when you are switching between the amps. I had to do it using my hearing, and start either at the beginning or ending of the selection dial and listen for the amp switch. It is helpful for them to have the amps printed on the side of the unit. The amps are all pretty great. They do lean on the side of high gain. Or at least they do when I use it. That’s my wheelhouse, so I’m very happy. This is a wonder of engineering. A long way from the ROCKMAN that I used to have in 1985! Great price! Great sounds. Recommended.

## Features

- 16 Carefully Selected Modeling Amplifiers from Clean to High Gain
- Convenient A/B Channel Switching for Awesome Live Experience
- Switchable, Dedicated CAB SIMs for Recording or Direct-to-PA
- Special Design Buffer Bypass Circuit Keeps the Sound Pristine
- Working with 9V Center Negative Regular Pedal Power Supply

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B07SY8R65C |
| Amplifier Type | Tube |
| Brand | Valeton |
| Color | Black |
| Compatible Devices | Guitar |
| Connector Type | 6.35mm Jack |
| Customer Reviews | 3.9 out of 5 stars 81 Reviews |
| Enclosure Material | Felt |
| Item Dimensions D x W x H | 2.05"D x 1.65"W x 3.68"H |
| Item Weight | 150 Grams |
| Manufacturer | VALETON |
| Material | Felt |
| Number of Bands | 3 |
| Output Channel Quantity | 2 |
| Power Source | Corded Electric |
| Product Dimensions | 2.05"D x 1.65"W x 3.68"H |
| UPC | 888506800252 |

## Product Details

- **Brand:** Valeton
- **Compatible Devices:** Guitar
- **Product Dimensions:** 2.05"D x 1.65"W x 3.68"H
- **Item Weight:** 150 Grams
- **Power Source:** Corded Electric

## Images

![Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal - Image 1](https://m.media-amazon.com/images/I/51T9KHh1W8L.jpg)
![Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal - Image 2](https://m.media-amazon.com/images/I/61xCs4i2tSL.jpg)
![Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal - Image 3](https://m.media-amazon.com/images/I/51UM9zM2sSL.jpg)
![Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal - Image 4](https://m.media-amazon.com/images/I/51l0rIlq+yL.jpg)
![Valeton Coral Amp Modeling Preamp Digital Amplifier Modeler Guitar Effects Pedal - Image 5](https://m.media-amazon.com/images/I/61I5tQOu77L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Lots of different, usable amp sounds in one small, user-friendly pedal.
*by P***O on July 14, 2019*

This pedal models 16 different guitar amp sounds, with an on/off cabinet simulator button allowing simulation of the cabinet type for the amp modeled. With 16 amp models and cab simulator feature, the Pedal is complex, but the design is user-friendly: The raised, top, middle, high, and volume, 8-position amp type, and gain controls are all backlighted; when alight, the unit is on. A flush-mounted button in the center turns the cabinet simulator on and off; when the cab simulator is on, the lighted button steadily flashes, when off, alight, no flashing. The DPDT switch turns the unit on and with a quick tap, allows the player to select between the first 8 amp selections on the “A” side of the list, and the second 8 amp selections on the “B” side of the list. When the “A” side is selected, the center push-button lights up green, with side “B” selected the button lights up red. The center button also activates the cabinet simulator. When on, the center button blinks. When off, the button is solid red or green, in easily distinguishableshades. Pressing and holding the DPDT unit turns the effect off; when the unit is off, the control and center button lights both shut off. The pedal comes with three business-card-sized business cards, printed on both sides, that list the pedal features, specifications, explain the control layout, and a grid list of “A” and “B” side amp selections and cabinet simulators for each amp setting. And, if you can’t find the List, no problem; there’s a graphic on the left side of the pedal listing all of the A/B settings. 😊 I played through each selection using both a Gibson Les Paul, and a Fender USVRI `62 Stratocaster. I played through a solid-state, Rickenbacker TR25 amp, with the controls set to clean and with as neutral a tone as possible, and trying each setting using the cab simulator both on, and off. “A” Amp Simulators: J 120: Faithful rendition of the clean, transparent sparkle of the amp, with either guitar. Bellman: 4X10 tweed Bassman-type, tube amp warmth crossing over into old tube amp breakup growl; at the 12 O’clock, the sound stays clean with the Strat, with some breakup with the LP, Turn up the gain for dirt with the Strat, or more dirt with the LP Tweedy: modeled after the Tweed Deluxe; less bottom than the Bellman setting, a bit more mid-range and snappy top, but not brittle. Overdrives at the 12 o’clock setting on the Strat, more with the LP, sounds like a low-wattage amp. Nice, dirty growl with the LP on the bride pickup, sweeter, bluesy tone on the middle pickup Black: Wow! I close my eyes, and I think I’m playing out of a Twin Reverb with the reverb off. Add reverb and whoa! Turn the gain up to about the 2-oclock position to get some dirt in the signal with a Strat. With the LP, there’s a touch of dirt at the 12 o’clock position, back the gain off to 10’oclock for clean. Foxy: Cool! I am an AC30 fan. sounds like an AC30; chime, growl, breakup-has that “Class A” sound. Natural breakup. Future 100: Where did the Mesa Boogie come from?! Meant to emulate the F-100, the setting offers a lot of tonal clarity, lots of bottom, and some dirt over the top of it all-Like a Fender on steroids. Build: Rugged, solid metal casing, DPDT switch, backlighted control knobs-nice feature, flush-mountede center button that serves an the A/B and Cab simulation indicator-easy to use, easy to read, easy to distinguish red/green shades, even for even for a player with some red/green colorblindness. Match: Described as based on the 2x12 Matchless Chieftain, this setting has the Class A sound it really has the Class-A sound with overdrive, chime, clarity. To my ear, sounds like a gutsier AC30, with a little more bottom end. Pretty sweet! Really dirties up with clarity with the LP, nice clean-to-dirty choppiness with the Strat. Kind of makes me want to sell my AC30 and get a Matchless UK 45: described as based on the Marshall JTM 45. Wow! Major classic crunch! Use the 4x12 Cabinet simulator for to get that tight, directed, bottom and signal output.. “B” Amp Simulators: Flagman: “Boutique UK Hi Gain Amp”; serious, hi-gain, and serious crunch! Great growl and crunch on rhythm, nice sustain, clear single notes. I can’t believe I’m playing out of a small, 1x12 solid-state amp. Rocker: “Orange Rockerverb 100”; a popular amp at our local rehearsal studio; I like this setting; smoother, creamier breakup than the Flagman, highly usable. UK900: “Marshall JCM 900”; Yes-I think they captured it! 😊 Boogie: “Mesa Boogie Mrk II C”: This is a brighter-sounding setting; Fender-y with crunchy distortion on top of it, lots of snarling guitar tone. Very tight, crunchy distortion. I had to back the high and mid off to about 2o’oclock or 3 o’clock to get the tone I wanted. I’m thinking it might be really good with guitars that are tuned down. Still sounds good at normal pitch, just optimal with high and mid backed off. Solo: “Soldano SLO 100”; lots of bottom, lots of gain, lots of crunch-it’s like buzz saw and a revving motorcycle engine. Gets the heavy rock/metal sound; I want to play fast on this setting. Eagle: “ENGL Savage 120”; brighter sounding than the Solo, similar, tight, crunch, heavy distortion, metal sound. Not really my sound. EV51: “Peavey 5150”; super tight crunch. Lots of gain, much better tonal range then the Eagle to my ear, but probably way too heavy for me to use-at least with current projects. Likely useful to those who play hard rock and metal. Dizz: “Diezel VH4”; I am not familiar with this amp. This setting has crunch! Tight, focused, bottom end. A lot of crunch and clarity. To maximize the simulation, I recommend using the cabinet simulator setting for whichever amp simulator setting you’re using, unless you are already playing through that type of cabinet. There is a distinct difference at each setting with the cab simulator on vs. the cab simulator off. Overall, with the knobs set in the same place, each simulator setting is pretty impressive to this player’s ear. Each amp simulation is distinct and definitely usable! The Amp simulator is also pedal-friendly, if you like to add reverb, delay, or pitch modulation of some sort, and also works with a clean boost, or compressor; Except for the JC120 setting, I didn’t employ any dirt pedals, since adjusting the gain control on the pedal will give the player “dirt.” I’m keeping this pedal in my pedal board-I may even remove one or two of my gain pedals.

### ⭐⭐⭐⭐⭐ Recommended
*by F***Z on July 16, 2020*

Love the amp simulations. They recorded fairly well using the cab sim. I haven’t tried it with my amp but don’t plan to... I’m using this strictly for recording. Design wise it’s very SMALL. And visually it’s really difficult to ascertain when you are switching between the amps. I had to do it using my hearing, and start either at the beginning or ending of the selection dial and listen for the amp switch. It is helpful for them to have the amps printed on the side of the unit. The amps are all pretty great. They do lean on the side of high gain. Or at least they do when I use it. That’s my wheelhouse, so I’m very happy. This is a wonder of engineering. A long way from the ROCKMAN that I used to have in 1985! Great price! Great sounds. Recommended.

### ⭐⭐⭐⭐⭐ This thing is AMAZING! No really...
*by E***H on July 24, 2020*

The emulation in this pedal is unbelievable. I knew it would be good, just judging from the reviews... but it's SO much better than expected. The cab emulation is phenomenal! I bought it the use in a desk jam rig, so I don't have to have amps and such at my desk, and can just jam whenever I want without having to worry about latency from digital emulators. Running it straight through my interface, and it sounds fantastic! So glad I went this route instead of a multi-fx unit. You really can't beat this thing for the price... sounds better than units four times as expensive. Guitar pick in photo for size reference.

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*Product available on Desertcart Belgium*
*Store origin: BE*
*Last updated: 2026-04-22*