The Tourmaline Mass Market Paperback – Bargain Price, November 27, 2007

_The Tourmaline_ is the second book in Paul Park's fantasy series that began with _A Princess of Roumania_. It picks up immediately following the events of the first novel. Overall I found the book to be disappointing. I thought that the first book had some problems but that the setting had such promise the author might overcome these difficulties in the second novel. Alas, for me at least, it was not to be. First of all I would like point out the positive aspects of this book. I still like the setting after having finished the novel, as it is our Earth but with a number of interesting changes; the British Isles were destroyed in some sort of cataclysm, apparently France was devastated as well, so the major powers of the world are Germany, Roumania, Turkey, and Russia, that Europe was once inhabited by an aboriginal race that appear to be Neanderthals (and who still exist in the deep woods or on reservations), that the nations of Africa are the most advanced technologically at least (and have a self-imposed embargo of many materials to the warring nations of Europe), oh, and magic exists, including vampires, ghosts, shape shifters, and a visitable realm of the dead known as tara mortilor (well, it can be visited by magic). I still like the idea that Miranda, Andromeda, and Peter were hidden in a book that contained a whole world - our world, with our history - and that once they made their way to the "real world" of the novels, have to contend with a blending of the personality they had in the United States in our world with the person they were back in the real world. With Peter, who was Peter Gross in Massachusetts, student, and Pieter de Graz, soldier, wrestler, man of action in the real world, it is especially well done and interesting. I like the stranger in a strange land aspect, particularly of Miranda, of her trying to puzzle out life, society, and the rules of the game of this alternate Europe with magic, comparing things she encounters to the world she grew up with. The character of Nicola Ceausesca is still an interesting, well drawn character, one that is hard to predict (even by her admission within the novel, as she is famously impulsive), and by no means a typical villain, given to quick, impulsive actions that might hurt her as much as help her, of delighting in giving small wounds to those she likes, and then regretting it later, of really believing she is a good person and has the best interests of innocent people and her country at heart, all while committing murder, doing black magic, and collaborating with her country's conquerors. However, the negative aspects of the book are to me just a bit too much to overcome. Much like the first book, it can be hard to follow the action sometimes. It almost feels when I read it like some of the dreams I have had, as actions just suddenly happen, points of view change with absolutely no warning, even in the space of a paragraph or a sentence it seems. I find myself leafing back in the pages to find out when something happened, such as when someone gets shot for instance. It just feels like an odd way to write. The players and their plans are often still less than clear. Part of that maybe due to the fact there are some complex politics in the book and we often get the viewpoint of Peter, Andromeda, and Miranda, who are still learning some of the most basic aspects of the world, but even when we get chapters from the point of view of true natives of this "real world" it is still sometimes hard to puzzle out things. I still don't know what Miranda for instance is supposed to do, as she doesn't appear to have special powers as far I can tell. She basically seems to be a figurehead, someone for others with a cause to rally around, a symbol. Miranda herself seems puzzled by her destiny, why everyone is after her or going out of their way to follow her and her command. It doesn't help that particularly with Miranda whenever one of the people from our world tries to ask a question, to have some fact of life, motivations of a prominent individual, the history of something explained the others act impatient, don't want to talk about it, assumes she knows all about it, and just generally act irritated. One odd aspect of the world is that as far as I can tell time flows differently on different continents. When the three main characters journeyed from North America to Europe, five years and a few odd months passed. What? Also bothering is the character of Andromeda. She out of all them seems to have had the least trouble growing into a blended personality as it were, merging her our world persona with this "real world" persona. However, she is at times a dog, at times a girl, and I think (not clear again) at times a man. There are no rules given why she changes shape and when or to what end. At times the dog form of her seems quite aware of the plans she had as a person and understands her friends, but at other times (such as a single chapter told from the Andromeda-as-dog's point of view) it is pretty clear she doesn't know except in a very general way who her friends are when she is a dog, let alone any complex plans. Also there was a vampire, an individual by the name of Codreanu. I am fine with the idea of a vampire being different than our idea of a vampire, but except for the name and from what I gather a long lifespan and a fierce reputation, failed to see what made him a vampire. Most confusing!

Astonishing, wondrous, unlike anything else of its (supposed) kind. The word of central Europe reimagined remains familiar to anyone whose mind has gone there through books like The Man without Qualities or the novels of Hrabal. The author's sensitivity to nuances of language, even to language as it changes when modernization appears, is nothing short of amazing. The quality of great realistic novels is how they organize and deploy the stuff of the world -- manners, goods, means of travel, work, officialdom, fuits and vegetables, furniture, clothes, pleasures -- to create the world. Park does this in just the way the great older novelists do it -- but within a world he has entirely built. It's like what they say about Ginger Rogers -- she could do everything Fred Astaire did, but backwards and in high heel: this is a fully-featured realistic novel in classic style about an unreal civilization. If the book doesn't deliver a thrilling, continuously evolving plot with good guys and bad guys, if events rarely pay off the way you expect, that is not failure but higher world-building,

This is # 2 of 4. The first was slow to develop. Was going to stop but then the end of #1 made me get #2 to see what was going on. Has gotten better with each book through #4. Read #1 to the end and you are committed to the end of #4. Starting with #2, you will be confused and not enjoy.

A little difficult to follow at first, but was engaging and kept me reading. The "world" is interesting and I bought the next book right away.

The Tourmaline continues Paul Park's new fantasy series that began last year with A Princess of Roumania. (There will apparently be at least two more books.) This is proving to be a fascinating extended work, with odd and original characters (including some very interesting tormented villains) and written in a fairly distinctive voice.The basic conceit is that our world is a construct, made by a Roumanian sorceress to protect her young niece, Miranda Popescu. Miranda may be the "White Tyger," the great hope for a return to glory of Roumania, and for protection against their agressive German neighbors. But when Miranda's uncle is framed for treason and murdered, and her mother imprisoned in Germany, her Aunt creates an alternate world (ours) and places her in present day Massachusetts to grow up. The first book tells how the Baroness Ceausescu, her aunt's enemy, manages to find and destroy the book "containing" our world, returning Miranda (and two companions) to the wilds of lightly inhabited North America in the curious alternate world of her birth.The Tourmaline opens with Miranda having magically made her way to Roumania, but five years in the future. The Baroness, who thinks she herself is the White Tyger, is now the head of Roumania's puppet government after a German occupation. Miranda's two companions, a boy named Peter Gross who is now mostly a man, Pieter de Graz; and a girl named Andromeda who now alternates between being a dog and being another man, Sasha Prochenko (yet who is still also somehow Andromeda); are marooned in America but soon find a strange way to Turkey. The Elector of Ratisbon, the enemy of both Baroness Ceausescu and of Miranda, has been confined to his home in Germany, but he still holds Miranda's mother and the Baroness's son, and he remains a powerful sorcerer. The book follows Miranda's struggling realization of her possible destiny as the White Tyger, and her halting attempts to begin a resistance. At the same time, Peter and Andromeda, in their various forms, try to find a way to Roumania. The Baroness holds the tourmaline, Kepler's Eye, which has the power to make people love her, and she tries to balance her need for German support of her position with her hate for them -- scheming among other things to import nuclear material from technologically advanced Africa. And the Elector tries to restore his power base in Germany, while magically keeping track of Miranda. Indeed, everyone, one way or another, is after Miranda, who escapes again and again by accident, destiny, and magic.It remains a truly fascinating world, with a subtly revealed background, consisting of the odd magical system (to some extent based on Hermes Trismegistus), of such geographical changes as the fact that England has been destroyed by earthquakes, and of the different religions: one based on King Jesus and his Queen, Mary Magdalene, who are believed to be the ancestors of the Roumanian royal house (including Miranda), another based on ancient Greek myths, and so on. In The Tourmaline, Miranda becomes a more interesting character as she begins to take a modicum of control of her life. The Baroness Ceausescu is an affecting villainess, for example spending much of her time composing an opera in her head. The other characters are also odd and quite believable. It must be said that the book, as with many middle books, does not so much come to an end as simply stop -- we must wait for the concluding books for full satisfaction. But I will certainly be looking for the rest of the series.

great read, good quality book.